Where’s the cocktail? Stereophonics as performed in KL: A review

April 28, 2010

Can Kelly Jones hold his own as front man of a British rock movement that gave us so much good music to fuck to?

Well, yes and no.

To the purist, the former is of course the only option. For a fence sitter like me, I’d say, if magic did exist, Kelly would just be riding pillion on the broom stick.

Don’t get me wrong. There was absolutely nothing wrong with their performance. The energy was there. Jones’s voice was flawless. His guitar playing was immaculate. The band was tight. The lighting, exotic.

So, what’s the problem exactly?

Let me put it for you this way. You know something’s wrong when Stereophonics is playing Bright Red Star, and the crowd were just talking among themselves.

Sure, we all hate Malaysian crowds. They’re totally primitive and cavemen-like when it comes to genuinely embracing art. But I was standing just below the speakers, my eyes tuned directly at Kelly, straight-on like a moving freight train and as he sang, “Mary, is my bright red star”, I could feel nothing.

No goosebumps. No hair stand. No sudden rise in temperature. No falling of the soul.

Kelly for me, could not hold the mellow songs on his own. With the band shrouded in darkness, and the spotlight focused on him, he felt empty. Hollow.

Not that he didn’t try.

He did. His desert-like voice, whom someone in front of me commented was a cross between Liam Gallagher and Nic Chester, rose to meet every note with steady perfection and serene vibrato. But I could not feel him. Maybe it’s the crowd. Maybe it’s the place. Or maybe I’m being unfair because I wanted him to shut the PA system and walk right up to me, and play it just for me.

He needed the band.

On heavy guitar crunching numbers like stuck in a rut, innocent, the bartender and the thief, just looking and superman – the crowd went wild and jumped and skipped and tangoed with each other. Call me skeptic but it just feels like people just wanted noise and that’s all that it took to get them yelling in appreciation.

Here are my 4 favourite moments of the night, awesomeness in ascending order.

1) When Kelly strapped on his acoustic for the first time to play have a nice day.

2) When traffic came alive, as Kelly announced that he’s gonna go mellow for a bit.

3) Mr Writer with an elongated outtro, accentuated by sexy green lighting that somehow reminds me of Paris Hilton’s sex tape.

4) Dakota as the encore, where Kelly stood mighty as he repeated again and again, “take a look at me now” not stopping till every individual in the venue soaked in the atmosphere ready to go home and embrace their mundane lives.

So back to the golden question. Does Kelly hold his own as front man of a leading british rock band?

Yes.

But with all due respect, he should look to Chris Martin for inspiration on how to leave his audience exploding with multiple orgasms. I only had one and I know my body was capable of much, much more.

Disclaimer:  Dont hate me for the shitty image. I’m not Celeste and i was not born with her photographic blood.


This is a story of a bunch of girls

April 19, 2010

With only some 10 days left till the Stereophonics concerts in Malaysia and Singapore, I thought I’d hit on something a little left to centre.

Now, we all know the main genius behind this Welsh band is none other than Kelly Jones. And back when Stereophonics were working on Pull the Pin in 2007, he started having all these crazy ideas that needed to be penned down. Cue Only the Names Have Been Changed, a limited edition release, which reached number 1 on the iTunes chart, but didn’t do so well critically.

The essence of the solo debut: women. 10 of them to be exact. You have heard Dakota and Lolita - which, by the way, is about his then newly borned daughter, Lolita Bootsy – from Language. Sex. Violence. Other?, and perhaps even Daisy Lane and Bright Red Star in Pull the Pin. Only the Names… is sort of like an extended version of that.

Like an author’s anthology of short stories, this is Jones’ musical anthology: There is Rosie, the good-hearted lady who works in the hospital, and helped save Jones’ baby girl Lolita when she was ill. There is Katie, who sold her body for a free taxi ride home. There is Violet, who sold her body and ended up getting murdered. There is Emily, who waited a lifetime for that prince charming, only to fuck things up herself in the end. There is Suzy, one of them girls who came out of nowhere just to inspire your life, only to disappear as quickly as she appeared. And there is Misty, only because she is Jones’ second daughter.

Call me superficial, but I don’t really like an entire album of songs named after girls. Perhaps it is corny, and you’re sort of taking the easy way out in being articulate. Perhaps it’s the whole Low Millions shebang with their Ex-Girlfriends flop in 2004. It just left a bad taste in my mouth; and you’d think as a son of Leonard Cohen, you’d at least do – I dunno – better. But that’s just me.

For me, I can’t say it’s a mind-blowing solo debut for him, as I only like Suzy, Liberty and Jean. But I doubt Jones penned down the songs to have them share the same fate as his Stereophonics numbers. I suppose, it’s just one of those things, which got too much and you just have to write them all out. You know, like that time in high school, when you got a bunch of writings to do about love and life and teachers, and you just want to let them all out. Whether one or none of them would fly or not, it does not matter.

Other than that, Only the Names… portrays a more personal and sensitive side of Jones, ala Bright Red Star. Striped off the backings of Stereophonics, his many leather jackets and RayBan shades, and armed only with his cherry red Gibson SG. Not at all the rock persona Stereophonics is known for, but all the same contexts that made the band who they are always.

HERE is Suzy.

And we will see you guys at the concerts.


Peaches live in Singapore @ Apr 28, 2010

April 15, 2010

I love peaches in summertime. The vibrant colours of yellow, orange and red. The inviting touch of its supple texture underneath your fingertips, in between your teeth. The lip smacking crunch that threatens dribbles of juicy goodness out the corner of your mouth. The urge to moan orgasmically at the heavenly sweetness that touches your tastebuds. Yum.

But that’s not the Peaches I’m talking about here. So, before you think this gig is about crates and crates of imported fruits selling at dirt cheap prices, the Peaches I’m talking about here is Merill Beth Nisker, Canadian-born dance electro punk musician, who has been an icon when it comes to reinventing fashion and upping the level of individualism.

Peaches is well loved by notable acts like Iggy Pop, Bjork, Josh Homme, Lil’ Kim, Kelis, 2 Many DJs, M.I.A. and LCD Soundsystem, as well as being embraced in the fashionista world of Paris runways and Victoria Secret shows. Peaches have five studio albums out, latest being I Feel Cream released in May last year to acclaimed reviews. Since then, she has been around the world doing her deeds, and here she is now, making a pit stop in Singapore with all her juicy and sexual demeanours.

Details below:

Peaches live in Singapore
Date:
April 28, 2010 (Wednesday)
Time: 9.30PM
Venue: Zirca, The Cannery, Clarke Quay
Tickets: S$45 (pre-sale), S$55 (door price)

Pre-sale tickets are available at TDC and Home Club.

And here be some peachy tunes.


Stereophonics live in Malaysia, Apr 28, AND Singapore, Apr 30

April 9, 2010

Forget keeping calm and carrying on. Because Stereophonics is going the long way around to swing by both Malaysia and Singapore by the end of April!

No introduction is needed for this Welsh rock band; heck, they’ve been in the music scene for close to two decades. I’m sure you would’ve came across them on way or another. But if you insist – does Dakota or Maybe Tomorrow ring any bells?

With seven studio albums under their sleeves, the latest one being Keep Calm and Carry On, which was just released end of last year, we’re bound to have a good night out with Kelly Jones and the boys.

So, start your ‘Phonics revision now.

Details are as follow:

Stereophonics live in Malaysia
Date:
April 28, 2010 (Wednesday)
Time: 7.30PM
Venue: KL Live
Tickets: RM118

Tickets are available at all Axcess outlets from April 10 onwards. Log on to their website for more info,  or call +6 03 7711 5000.

Stereophonics live in Singapore
Date:
April 30, 2010 (Friday)
Time: 8PM
Venue: Fort Canning Park
Tickets: S$98 (Standard), S$110 (Door price)

Tickets are available at all Sistic outlets now. You can get your tickets by ringing them up at +65 6348 5555, or log on to their website.

Here is something to get you in the mood.


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