
“I was once a loyal lover, whose lips did never seek another. But now each love’s more like a match, a blinding spark that burns out fast”
I wasn’t a big fan of Narrow Stairs. It’s probably my own fault. I subscribe too much to the If-ain’t-broken-then-it-sure-as-hell-don’t-require-no-fixing philosophy. All Death Cab purists would recognize the change of tempo and the swapping of styles that was prevalent in Narrow Stairs that just don’t seem to fit in any of their previous works.
I understand the need to try something new. I welcome it even, but Narrow Stairs just coudnt invoke the same kind of emotions that Plans or Trans did. It had teeth alright, it just didn’t really have heart.
When I unwrapped the plastic sheet to Open Door, the question that was bobbing around my mind was this. “Am I about to be inspired or am I going to be dissapointed?” You can’t blame me. The EP was recorded during the Narrow Stairs session after all.
I’ve heard Casino Blues during Ben’s solo live sets. I thought it was a decent song but I didn’t like it much till it’s evolution to become Little Bribes is complete on Open Door. The crisp production ability of Walla contributes much to the beauty of the song and Ben, as usual, is at his poetic finest. He goes, “Pretend every slot machine is a robot amputee waving hello. The people stare into their eyes and they feed them little bribes and then they go“
The record then flows seamlessly to A Diamond and a Tether. Most reviews out there claim it’s the weakest song but I beg to differ. For someone to even conceive using the word “tether” and apply it to a song itself is pure genius to me. Yes, I’m speaking like a fanboy but fuck that – I’m not embarassed to admit that I worship the ground Ben walks on. In the chorus he sings, “I know you can’t hold out forever, Waiting on a diamond and a tether, from a boy who won’t jump. When he falls in love he just stands with his toes on the edge and he waits for it to disappear again“
Which brings us to my favourite song on the record – My Mirror Speaks. Melodically superior and vocally challenging, (Ben goes all falsetto in the chorus) I won’t spoil anything for you. Open Door closes with a demo version of Talking Bird. Just Ben and a Ukulele. Stripped off it’s elaborate production, the rawness of this song tinkers with my mind and tugs at my bones to make me appreciate the genius that is Ben.
Open Door is a very very good record. Not their best, but a pretty damn good effort for an EP. It also confirms a fact that I already well know.
That Benjamin Gibbard is indeed a gifted man.
Posted by vernadium
Posted by vernadium 